ⓧ My So-Calleds
In Summer 2019 Rebecca Stephany and Mathias Lempart shared a two-month residency in Lithuania as part of the exhibition Life Intense at Nida Art Colony.
Together they created “My So-Calleds”, an artwork consisting of laser engraved wood boards, textile patches with a graphic novel, concrete pedestals, an augmented reality filter, metal chains and the graphic design for the group exhibition Life Intense.
The exhibition was curated by Marina Valle Noronha and Dovilė Tumpytė and was made possible by Goethe Institute.











“For the exhibition Life Intense at Nida Art Colony (19 July – 31 August, 2019), Rebecca Stephany and Mathias Lempart developed the exhibition design as well as the art work “My So-Calleds” for the exhibition, letting presumed binaries between “reality vs. virtuality” or “applied vs. autonomous art” collapse in plain sight. Spread around the venue, exhibition signage boards act as mascots, offering visitors multiple ways to enter the show. For the their project “My So-Calleds”, Stephany’s and Lempart’s research transmuted into a feedback loop of different formats and media. “Aren’t we as dependent on our digital devices today as pagan Lithuanians were on the gods ruling the sun, moon, and thunder?” they ask. “Perhaps this desire to depend, to outsource one’s agency to higher powers, is intrinsic to human kind. It must be a human condition,” they conclude.”
—Nida Art Colony, 2019
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***Exhibition currently on view at GROTTO: “Future Mobility And Other Ghosts From The Past. The Library and Café Edition” with Sascia Reibel, curated by Elke Falat. Please check the opening hours of Hansabibliothek and Café Tiergarten.***
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Berlin-based artist and graphic designer Mathias Lempart (b. 1990 in Poland) studied Communication Design at the Karlsruhe University of Arts and Design, with minors in Art Research and Product Design.
Lempart’s practice explores the relationship between applied design and contemporary art, focusing on conceptual and experimental approaches to visual communication. His work has been included in exhibitions at the Bauhaus Museum Dessau, Badischer Kunstverein, Museum of Humor and Satire in Bulgaria, and Nida Art Colony in Lithuania. He has participated in residencies in Lithuania, the Netherlands, and Germany.
From 2017 to 2018, he served as an elected federal representative of the Friedrich Ebert Foundation’s scholarship holders, where he coordinated university groups, organized a national conference, and undertook negotiation and moderation tasks.
Since 2020, he co-directs Shortnotice Studio with Sascia Reibel. The Berlin-based graphic design studio collaborates with institutions such as Kunsthalle Basel and Dinamo Typefaces, developing projects in the field of contemporary art and visual culture.
Lempart has received multiple awards in the competition 100 Beste Plakate Germany–Austria–Switzerland. In 2020 he was nominated for the German Design Award Newcomer, and in 2023, together with Sascia Reibel, he received the Peter Jacobi Foundation Stipend. He has taught at several universities in Germany, Switzerland, France and the UK, including the University of the Arts Bremen, Kunsthochschule Kassel, the University of Education Karlsruhe, and Pforzheim University. At Bremen, he co-led the Master Studio during Professor Tania Prill’s sabbatical, taking on both teaching and administrative responsibilities.
He is currently presenting the third edition of the exhibition series Future Mobility and Other Ghosts From The Past, developed with Sascia Reibel, at Hansabibliothek (hosted by GROTTO) in Berlin. The speculative exhibition follows earlier editions at Pforzheim Galerie (2024) and aboard the ship MS Dauerwelle in Bremen (2024). Alongside his artistic and design practice, Lempart currently holds a position as Production Coordinator for documenta 16.
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Mathias Lempart
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